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The film is like a non-musical "Bells Are Ringing", with our heroine bringing so much life to those around her but neglecting her wants and needs. The tormentors must in turn be tormented the lifeless must be brought to life. She has her own idea of justice that isn't very disagreeable. She bounces along with good grace and whimsy living life to its fullest, yet keeping a mischievous grin. Amelie Poulain is the kind of person who you wish was your best friend, your neighbor or your sister. It's not hard to want everything to work out for her and her friends. Jean-Pierre Jeunet (director and co-screenwriter) conjured the film like a dream, as if Amelie is his dream girl and he is trying to save her and bring her to a happy ending. I said before that this film was a love letter to Paris, it is also a love letter to Amelie herself. She decides to go on a quest to find this man and help anyone she can along the way (including her father and co-workers). Later on, she catches a man groping for lost photos under a photo booth (Nino Quincampoix, played by Mathieu Kassovitz), and it's love at first sight. One day she finds a small box of treasures behind a tile in her wall, she decides to return it to her owner and become a natural do-gooder. Amelie stayed with her father until she was old enough to leave and lead a life of her own. When she was a child her mother and teacher was an innocent victim of a suicide gone awry. It isn't very surprising that this has been a hit in France for a while now, and I have no doubt it will find the audience it needs in the States as well.Īmelie Poulain (Audrey Tautou) is a nave girl working at the Two Windmills Caf. "Amelie" is the rare romantic comedy that has both the romance and the comedy. It may not be the real world, but it is such a delightful fantasy that it doesn't matter how unbelievable some of it may be. It's a fable of sorts, a love letter to a Paris fondly dreamt of by many. Casting is by Jim Carnahan, CSA.Īmélie, A New Musical will be produced on Broadway by Harbor Entertainment, Triptyk Studios, and Spencer Ross.įOR THEATRICAL MERCHANDISE, VISIT : ***1/2 out of **** What a fun film! From the moment it begins, "Amelie" bursts with joy and energy. Foy, Maria-Christina Oliveras, Tony Sheldon, Jacob Keith Watson, and Paul Whitty.Īmélie, A New Musical has scenic and costume design by Tony Award winner David Zinn, co-lighting design by Tony Award nominee Jane Cox and Mark Barton, sound design by Tony Award nominee Kai Harada, projection design by Drama Desk Award winner Peter Nigrini, musical direction by Kimberly Grigsby, vocal arrangements by Grigsby and Messé, and orchestrations by Tony Award winner Bruce Coughlin. production also features Manoel Felciano ( Disaster!), Emily Afton, Alyse Alan Louis, David Andino, Randy Blair, Heath Calvert, Alison Cimmet, Savvy Crawford, Harriett D. Tickets, which range $49.50-$169.50 (including $2 facility fee), can be ordered via Ticketmaster at (877) 250-2929. Tickets are now also on sale to the general public for the Broadway production, which will begin previews March 9, 2017, and open April 3 at the Walter Kerr Theatre. Scroll through 8 production photos below: Order tickets for the Los Angeles run by clicking here.
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Adam Chanler-Berat ( Next to Normal) plays her leading man.Īmélie follows the whimsical and charming existence of Amélie, a lonely French waitress who decides to act as a secret wish-fulfiller to the people who live around her.
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Phillipa Soo, who wowed audiences in the original Off-Broadway run of Natasha, Pierre & the Great Comet of 1812 and earned a Tony nomination as Best Actress in a Musical for her Broadway debut as Eliza Schuyler in Hamilton, plays the title role, Amélie Poulain. Tony winner Pam MacKinnon ( Who’s Afraid of Virginia Woolf?) directs. Video footage has been released for the Broadway-bound Amélie, A New Musical, based on the Academy Award-winning 2001 French film Amélie, which opened its Los Angeles tryout at the Ahmanson Theatre December 16, for a run through January 15, 2017.Īmélie has a libretto by Craig Lucas ( An American in Paris, Prelude to a Kiss) and features music by Daniel Messé with lyrics by Nathan Tysen ( The Burnt Part Boys, Tuck Everlasting) and Messé.